THE 2006 MELROCK AWARDS

2006 - Looking Back
2006 Predictions Made
2006 Awards
2007 - The Year Ahead
Vote / Polls!


Welcome to the 8th Annual MelRock Awards. My apologies for it being a week or two late getting online, but life seems to only ever get busier, so perhaps I should start writing the 2007 awards in October :)
One of the benefits of publishing the awards in February is that it gives me a far better and clearer picture of the year ahead, which is an important part of this annual round up of news, views, comments and general opinions on things.
This is also my avenue to speak my mind a little further on certain issues affecting this music scene, me, the site and the record business as a whole.
I hope you concur with the awards handed out and with the rankings of particular albums and songs from the calendar year 2006.
Of course there will be many varying views and possibly some unhappy campers that hold high regard for albums that did not make the final cut here. You get a chance at the end of the feature to add your personal favourites.
The albums and artists below are all ones that have been reviewed or featured in any way on the site. I have not had the time to review everything from 2006 that should have been, but I can recognize those albums and songs here and will still add a few more 2006 reviews when time permits.
I always provide soundbytes, so if some of these titles featured are not ones you recognize or have heard a lot about, then please check them out, as there is a lot of great music and artists featured in the lists below.

This year's write up continues the trend of getting bigger each and every year. This is the biggest awards page yet (48 pages to print out) and I expect next year will be bigger again as I try and cover as much music as is humanly possible. If there are any omissions from the lists below, then I apologize and mean no offence. But there really is a stack of music for fans of all tastes and the below artists and releases are those which I personally feel are the strongest representation of the scene that melodicrock.com covers.

ALBUM OF THE YEAR
  1. Toto Falling In Between
    The year spent writing and recording this album really paid off for the guys. This is an absolutely classic album and I had no difficulty giving this album a perfect score. It was just as easy to name it Album Of The Year. Falling In Between showcases everything that is Toto. There are influences from all areas of their past and even a few new elements such as the heavy title track. The performances of all on this record is something the guys should be very proud of and the songwriting, although diverse, is held together by a monster production.
  2. House Of Lords
    World Upside Down

    James Christian put it all on the line for this release. After the lukewarm reception to the comeback Power & The Myth release, James controversially moved on with a new line-up and a new vision. It paid off. This is classic House Of Lords in just about every way and the critical acclaim garnered from the release justify James' decision. While I am sure most would have preferred to see the classic line-up in action, the anthemic melodic rock songs that fill this album are good enough to convert everyone to the new era.
  3. Talisman
    7

    Heralded as their swansong release, this was also a very important release for Jeff Scott Soto and the band. And they nailed it. Just like Toto, Talisman took elements of their past records and mixed it all into one record, with a couple of fresh new twists for good value. Great songs a fresh vibe and overall, a really consistent record that runs very smoothly start to finish.
  4. Harem Scarem
    Human Nature

    Any new Harem Scarem record is always going to be a big release for this scene and the guys have never released a truly bad album. Released in Japan in November and available online and in select stores in early December, this just qualifies for the 2006 Awards. The album sees the band return to their more melodic ways, although I thought there was nothing wrong with the direction of the last album! So, more anthems, more hooks, more glorious harmonies...can any band out there rival the discography and overall consistency of this band?
  5. Slamer
    Nowhere Land

    Mike Slamer is the consummate professional and a perfectionist to boot. And vocalist Terry Brock is a legend in his own right, so such a pairing could only bring melodic magic. And yes, this is a super slick slice of melodic rock, mixed with layers of instrumental work and lush vocals. The album was mellower than most expected I think, but you cannot fault the quality.

  6. The Poodles - Metal Will Stand Tall - 2006 was The Poodles vs Wig Wam vs Brother Firetribe - three amazing bands with three great albums on their hands. All a little different though. I always like the moody/darker side of melodic rock, which is why I have rated The Poodles slightly ahead of Wig Wam and Brother Firetribe, but let's be honest here...you need all three of these records!
  7. Street Talk - V - Simply the best and most consistent album of the band's career. Welcome back guys. Goran Edmon sounds amazing and the song, production and performances are all smooth as silk. Frederik Bergh cannot claim enough credit for this old school AOR masterpiece.
  8. Wig Wam - Wigwamania - Like 1987 had never ended, Wig Wam fire back with the album Poison wish they could still make (but probably never will..). This is a wonderful, in your face, feel good party rock album, filled with anthems, loud guitars and major choruses on every song. Amazing that something like this can still be made in 2006.
  9. Brother Firetribe - False Metal - Another of the magnificent trio of European melodic rock releases in 2007. Brother Firetribe took a more keyboard orientated approach with their album, but like Wig Wam and The Poodles, the guys filled it with glorious hooks and melodies, not to mention anthemic rocking songs that ridicule the fact that the 90s ever existed. Can't wait for more from all three bands. They shine the light and set the standard for others to follow.
  10. Sunstorm - Sunstorm - Well done JLT! A new fresh take on some old songs, coupled with some passionate vocals that demand attention on this release, which from the reactions, has become a JLT fan favourite. More please...and extra credit for the production (the amazing Dennis Ward again), in bringing some old songs to life without sounding dated at all.

    xxxx

  11. Leverage - Tides
  12. Newman - Heaven Knows
  13. Sammy Hagar - Livin' It Up
  14. Jorn - The Duke
  15. Meatloaf - Bat Out Of Hell 3
  16. Nexx - Another Dawn
  17. Andersen Laine Readman - Three
  18. Ted Poley - Collateral Damage
  19. Ambition - Ambition
  20. Glenn Hughes - Music For The Divine

  21. Europe - Secret Society
  22. Tony O'Hora - Escape From The Sun
  23. Platitude - Silence Speaks
  24. Square One - Supersonic
  25. Cheap Trick - Rockford
  26. Last Autumn's Dream - Winter In Paradise
  27. Riot - Army Of One
  28. Mind's Eye - Walking on H2O
  29. Paul Stanley - Live To Win
  30. Axel Rudi Pell - Mystica
Honorable Mentions: (in no particular order)
  • Rain - Stronger
  • Final Frontier - Freelight
  • Richie Kotzen - Into The Black
  • GPS - Window To The Soul
  • Fatal Smile - Neo Natural Freaks
  • Zeno - Runway To The Gods
  • Wetton/Downes Icon II - Rubicon
  • Thunder - Robert Johnson's Tombstone
  • Pretty Maids - Wake Up To The Real World
  • Michael Bormann - Conspiracy
  • Iron Maiden - A Matter Of Life And Death
  • Winger - IV
  • UFO - The Monkey Puzzle
  • Avalon - Avalon (The Richie Zito Project)
  • Edguy - Rocket Ride
  • Evergrey - Monday Morning Apocalypse
  • Ten - The Twilight Chronicles
  • Fair Warning - Brother's Keeper
  • Shark Island - Gathering Of The Faithful
  • Stonelake - Reincarnation
  • Cloven Hoof - Eye Of The Sun
  • Vertigo - 2
  • Cloudscape - Crimson Skies
  • Frontline - Circles
  • Gary John Barden - Agony & The Xtasy
  • Chicago - XXX
  • Jim Peterik - Above The Storm
  • Bloodbound - Nosferatu
  • Shadowman - Different Angles
  • Ian Parry - Visions
  • Sora - Demented Honour
  • Sunrise Ave - On The Way To Wonderland


THE BEST METAL / PROG ALBUM:

  1. Leverage - Tides
  2. Jorn - The Duke
  3. Tony O'Hora - Escape Into The Sun
  4. Riot - Army Of One
  5. Platitude - Silence Speaks
  6. Mind's Eye - Walking On H2O
  7. Bloodbound - Nosferatu
  8. Cloudscape - Crimson Skies
  9. Iron Maiden - A Matter Of Life And Death
  10. Edguy - Rocket Ride
THE BEST OLD-SCHOOL AOR ALBUM:

  1. Street Talk - V
  2. Sunstorm - Sunstorm
  3. Newman - Heaven Knows
  4. Final Frontier - Freelight
  5. Ambition - Ambition
  6. Last Autumn's Dream - Winter In Paradise
  7. Avalon - Avalon
  8. Vertigo - 2
  9. Ted Poley - Collateral Damage
  10. Shadowman - Different Angles

THE BEST MODERN ROCK ALBUM:

  1. My Chemical Romance - The Black Parade
  2. Fair Ground - Down It In
  3. Daughtry - Daughtry
  4. Suzi Rawn - Naked
  5. Square One - Supersonic
  6. Sunrise Avenue - On The Way To Wonderland
  7. Pink - I'm Not Dead
  8. Lynam - Slave To The Machine
  9. Quietdrive - When All That's Left Is You
  10. Skillet - Comatose
BEST DEBUT ALBUM OF 2006:
.....(Band/Artist, Not Project)

  1. The Poodles - Metal Will Stand Tall
  2. Brother Firetribe - False Metal
  3. Leverage - Tides
  4. Square One - Supersonic
  5. GPS - Window To The Soul
  6. Sunrise Avenue - On The Way To Wonderland
  7. Stonelake - Reincarnation
  8. Sora - Demented Honor
  9. Fraze Gang - Fraze Gang
  10. Suzi Rawn - Naked

BEST COMPILATION OR LIVE ALBUM:

  1. Honeymoon Suite - Feel It Again (The Anthology)
  2. Danger Danger - Live And Nude
  3. Foreigner - Live In '05
  4. Jeff Scott Soto - The Essential Ballads
  5. Scandal - We Are The 80s
  6. Whitesnake - Live In The Shadow Of The Blues
  7. The Rembrandts - Greatest Hits
  8. Treat - Weapons Of Choice
  9. Cinderella - Extended Versions (Live)
  10. Poison - 25 Years Of Rock (The Best Of...)
BEST RE-ISSUE:

  1. Rick Springfield - Working Class Dog
  2. Diving For Pearls - Diving For Pearls
  3. Loverboy - Get Lucky
  4. Steve Perry - For The Love Of Strange Medicine / Street Talk
  5. Def Leppard - Hysteria Deluxe Edition
  6. Strangeways - Catalogue Re-Issues
  7. Journey - Catalogue Re-Issues
  8. Preview - Preview
  9. John Farnham - Whispering Jack (20th Anniversary)
  10. Phenomena - The Complete Works

2006 SONG OF THE YEAR
  1. Toto - Dying On My Feet
  2. House Of Lords - Million Miles
  3. Street Talk - Responsible
  4. Harem Scarem - Tomorrow May Be Gone
  5. House Of Lords - SOS (In America)

  6. The Poodles - Echoes From The Past
  7. Newman - Ain't Gonna Cry Forever
  8. Toto - King Of The World
  9. Talisman - The 1 I'm Living 4
  10. Brother Firetribe - Midnight Queen

  11. Leverage - Fifteen Years
  12. Harem Scarem - Human Nature
  13. Toto - Bottom Of Your Soul
  14. Sunstorm - Strength Over Time
  15. Street Talk - If I Could
  16. The Poodles - One Night Of Passion
  17. Toto - Spiritual Man
  18. House Of Lords - Ghost Of Time
  19. Riot - Knocking At My Door
  20. Leverage - Follow Down That River

  21. Wig Wam - Gonna Get You Someday
  22. Slamer - Jaded
  23. Wig Wam - Kill My Rock N Roll
  24. Brother Firetribe - I'm On Fire
  25. Meatloaf - Alive
  26. ALR (Andersen Laine Readman) - Don't Need A Thing
  27. Brother Firetribe - Love Goes Down
  28. John Waite - St. Patrick's Day
  29. Talisman - Succumb To My Desire
  30. Europe - Always The Pretenders

  31. Meatloaf - Blind As A Bat
  32. Ten - Oblivion
  33. Ambition - Hold On
  34. Jim Peterik - Hiding From Yourself
  35. Paul Stanley - Live To Win
  36. Survivor - Talkin' Bout Love
  37. Nexx - Critical
  38. Wig Wam - Bygone Zone
  39. Paul Stanley - Second To None
  40. Harem Scarem - Hanging On

  41. Slamer - Superstar
  42. Chicago - Feel
  43. Ted Poley - Look Out Below
  44. Tony O'Hora - Broken Soul
  45. Last Autumn's Dream - Winter In Paradise
  46. Final Frontier - Foolish Pride
  47. House Of Lords - These Are The Times
  48. Wetton / Downes - Finger On The Trigger
  49. Riot - One More Alibi
  50. Frontline - No One
Honorable Mentions: (in no particular order)
  • Harem Scarem - Don't Throw It Away
  • Harem Scarem - Caught Up In Your World
  • Cosmo - Don't Tell Me Your Lies
  • Rain - The Other Side
  • Rain - Right By Your Side
  • Final Frontier - Freelight
  • Final Frontier - Someone's Watching You
  • Riot - The Mystic
  • Riot - Army Of One
  • Tom Cochrane - The Party's Not Over
  • Richie Kotzen - Sacred Ground
  • Richie Kotzen - Misunderstood
  • Paul Stanley - Bulletproof
  • Paul Stanley - Wake Up Screaming
  • GPS - Heaven Can Wait
  • GPS - New Jerusalem
  • Fatal Smile - Crash & Burn
  • Zeno - Runway To The Gods
  • Zeno - Fanfares Of Love
  • Wetton/Downes - The Die is Cast
  • Nexx - Another Dawn
  • Nexx - Control In My Life
  • Thunder - Don't Wanna Talk About Love
  • Thunder - Dirty Dream
  • Pretty Maids - As Guilty As You
  • Pretty Maids - Such A Rush
  • Michael Bormann - Stand Up
  • Michael Bormann - Conspiracy
  • Talisman - Nowhere Fast
  • Talisman - Falling
  • Winger - Your Great Escape
  • Winger - Four Leaf Clover
  • Meatloaf - Blind As A Bat
  • Meatloaf - The Monster Is Loose
  • Europe - Let The Children Play
  • Europe - Human After All
  • UFO - Goodbye To You
  • UFO - Who's Fooling Who?
  • Eden - Fools Parade
  • Mikey Jones - Who...?
  • Planet Alliance - The Real You
  • Slamer - Strength To Carry On
  • Sunstorm - Keep Tonight
  • Sunstorm - Danger Of Love
  • Avalon - Avalon
  • Avalon - Life Got In The Way
  • Sammy Hagar - Living On A Coastline
  • Sammy Hagar - The Way We Live
  • Edguy - Return To The Tribe
  • Ten - This Heart Goes On
  • Ten - The Chronicles
  • Fair Warning - Don't Keep Me Waiting
  • Fair Warning - Still I Believe
  • Axel Rudi Pell - No Chance To Live
  • Axel Rudi Pell - Living A Lie
  • Shark Island - I Had A Dream
  • Shark Island - Down To The Ground
  • The Poodles - Lie To Me
  • The Poodles - Shadows
  • The Poodles - Metal Will Stand Tall
  • Stonelake - Mistreated Heart
  • Shooting Star - Without Love
  • Shooting Star - Trouble In Paradise
  • Vengeance - Captain Moonlight
  • Vengeance - Back In The Ring
  • Cheap Trick - If It Takes A Lifetime
  • Cheap Trick - Perfect Stranger
  • Evergrey - Unspeakable
  • Glenn Hughes - Steppin' On
  • Glenn Hughes - This Is How I Feel
  • Vertigo - Hold Me
  • Vertigo - Holy
  • Cloudscape - And Then The Rain
  • Bloodbound - Behind The Moon
  • Newman - Learning To Live
  • Newman - Heaven Knows
  • Jeff Scott Soto - Last Mistake
  • Wig Wam - Slave To Your Love
  • Wig Wam - Dare Devil Heat
  • Wig Wam - Rock My Ride
  • Frontline - Don't Run Away
  • Frontline - Did You Ever (Taste The Pain)
  • Mind's Eye - Out Of My System
  • Mind's Eye - Mrs. Clair Voyance
  • Survivor - Reach
  • Gary John Barden - Arise
  • Gary John Barden - Stop (What´Cha Doing To Me)
  • Ted Poley - Curtain Call
  • Ted Poley - Rise
  • Chicago - King Of Might Have Been
  • Chicago - 90 Degrees And Freezing
  • Last Autumn's Dream - Don't Let Your Love Go Down
  • Last Autumn's Dream - Love To Go
  • Valentine - I'm Going Under (Sedated)
  • Andersen Laine Readman - Straight To The Heart
  • Andersen Laine Readman - Rise
  • Platitude - Silence Speaks
  • Platitude - Fear (It's Over Now)
  • Shadowman - Ways Of The World
  • Shadowman - Learn To Live Without You
  • Main Attraction - Blue Jean Girls
  • Ian Parry - Falling
  • Ian Parry - Another Day (She Will Be Loved)
  • Sora - One Way Ticket
  • Sora - Guilty
  • Jorn - End Of Time
  • Jorn - Blacksong
  • Square One - Wings To Fly
  • Square One - Love Struck Melody
  • Toto - Falling In Between
  • Bob Catley - Heart Of Stone
  • Bob Catley - Last Snows Of Winter
  • Ambition - Hypocrites
  • Ambition - Make It Alright
  • Tony O'Hora - My Final Prayer
  • Tony O'Hora - Dreamless Nights



THE BEST HEAVY ROCK SONG:

  1. Leverage - 15 Years
  2. Leverage - Follow Down That River
  3. Andersen Laine Redman - Don't Need A Thing
  4. Jorn - We Brought The Angels Down
  5. Tony O'Hora - Broken Soul
  6. Evergrey - Unspeakable
  7. Fatal Smile - Learn Love Hate
  8. Bloodbound - Nosferatu
  9. Ian Parry - The Angels
  10. Edguy - Wasted Time
THE BEST BALLAD:

  1. Meatloaf - Cry Over Me
  2. Harem Scarem - Hangin' On
  3. Street Talk - At The End Of The Day
  4. Toto - Bottom Of Your Soul
  5. Tom Cochrane - Out Of My Head
  6. Survivor - Seconds Away
  7. Final Frontier - I Hope You Don't Mind
  8. The Poodles - Crying
  9. Wig Wam - Bygone Zone
  10. Paul Stanley - Second To None

THE BEST MODERN ROCK SONG:

  1. Sunrise Avenue - Sunny Day
  2. My Chemical Romance - Welcome To The Black Parade
  3. Fair Ground - Down In It
  4. Sunrise Avenue - Choose To Be Me
  5. Pink - U and Ur Hand
  6. Daughtry - It's Not Over
  7. Fair Ground - Say You Will
  8. Daughtry - Over You
  9. Quietdrive - Rush Together
  10. Suzi Rawn - Bet U Like Me
BEST COVER VERSION:

  1. Brother Firetribe - Mighty Wings
  2. Suzi Rawn - Don't Come Easy
  3. Sunstorm - Fist Full Of Heat
  4. Tom Cochrane - Spririt In The Sky
  5. The Poodles - Dancing With Tears In My Eyes
  6. Sammy Hagar - I Love This Bar
  7. Quietdrive - Time After Time
  8. Meatloaf - Bad For Good
  9. Biss - Barracuda
  10. Domain - Don't Pay The Ferryman


The winners of the Top 3 albums Of 2006 (and myself!) as drawn by Michael Ward (Wardy).


2006 Best Artwork

1.

2. xx3.

4-7. xxx

8-11. xxx

12-15. xxx

16-19. xxx



And....a few of the worst....


xxx


2006 was a year of contrasts. The year delivered some of the very finest music I have been fortunate to witness in my 10 years online. Take a look at that Top 20 especially. Stunning stuff.
But, on the flipside, 2006 also delivered up some very poor releases too. Inconsistency was the name of the game, with some records suffering from dodgy production and general lack of quality control. Those aspects saw several potential great albums pegged back to average at best.
When we are talking the best, we should look no further than the titles good enough to make the 2006 MelRock Awards.

Album Of The Year was no contest for me - Toto easily took out that honor, with House Of Lords an equally easy pick for the #2 slot. Both albums were important releases for the bands and both releases delivered all that was expected and more.
Also delivering to the usual high standard expected of them were Talisman, Harem Scarem, Mike Slamer, Joe Lynn Turner and Street Talk. The year's big surprises came from the new era of European melodic hard rock hero's - The Poodles, Wig Wam and Brother Firetribe.
Three amazing albums caught the attention of fans and deserve to be included among the year's very best releases. Then there was Leverage, who delivered an album Masterplan would be thrilled to call their own.
Elsewhere on the lists, it is rewarding to see a number of veteran acts showing that there is still life in many an old dog! Newman, Meatloaf, Glenn Hughes, Ted Poley, Cheap Trick, Europe, Riot, Axel Rudi Pell and Paul Stanley all did their names proud.

Song Of The Year was a little harder to decide upon, but take a look at the song chosen - Dying On My Feet is everything Toto ever was and then some. This is an amazing song that in nearly 7 minutes of running time takes on melodic rock, progressive and symphonic rock before closing with an all-in brass section. There is at least 3 parts to the song and I honestly think it is the most amazing songwriting I heard this year.
House Of Lords figure heavily in the results due to a very strong album with several great anthems....I really had to debate the merits of SOS vs Million Miles, but Million Miles won in the end for me.
Harem Scarem appear again as they do every time they release an album, and once I figured the Top 20, the rest of the songs fell into place nicely.

Plenty more songs listed in the Honorable Mentions, as I couldn't scale it back any further than I already have. At a guess, I suppose there has been some 3000+ songs appear in front of me this year, so the end list of the 50 best songs + honorable mentions isn't too many in the scheme of things.

Congratulations to the artists involved and thank you for delivering the finest music possible in what can only be described as a challenging year for everybody involved in this business.


The Year That Was: Behind MelodicRock.com

The hardest part is always figuring out where to start. So much happens within the space of a year and I always find myself sitting staring at the screen, waiting for the obvious to make itself clear, so I can get underway.
Looking back can sometimes be good therapy and I have used the last couple of year's awards pages to pretty much lay it out there for all, to give a glimpse of the day to day stuff - not only the good, but also the BS that goes with running this site. There's plenty of both and this year was no exception.

The amount of money in this small scene is sometimes laughable and I must again thank the loyal support of MR-X members and the labels and CD stores that continue to advertise with me Without such support, running the site would be impossible.

The business side of things is always challenging. Last year I spoke of a few that had not paid up for services provided. There must be something in the air, as while those situations aren't fully resolved, all 3 have made steps to clear the air with me and that is definitely appreciated. Perhaps that is a sign of a more active business year ahead?

I have an awareness that I need to diversify in order to survive long term. I need to be doing something a little different so I am not relying on one revenue stream alone. But what? That's the million dollar question.
I have one idea I am very very passionate about, but it is something that will require a lot of work for no immediate result, so must consider how to get time to develop that without taking away from the site itself. I am frustrated I have not yet been able to do more, as this idea has been with me for a while now and I recall saying last year that I would be working on something outside the existing site during 2006, yet I don't think I have spent more than a few days on it all year.

I don't want to spend too much time on the negative, or at least the natural challenges that present themselves in working within the music business and then this scene in particular.
I am realistic about these things and no matter what is thrown at me, I continue to love everything about this music, this site and those that frequent it.
I am blessed to have made so many great friends and I thank everyone that takes time out to drop me a line.


SITE STATS:
The financial side of things may be ever challenging, but statistics wise, things couldn't be better! Figures for the site just continue to grow and even the site ranking portal Alexa has doubled the site ranking over the course of the past year, currently listing me in the top 40,000 of all websites online (take that info for what it's worth - but all sites can be checked and there must be some round about accuracy in their stats - www.alexa.com / Full Site Stats).
At one point my stats program fell over and had to be reset as it couldn't keep up with the traffic. That was around the time I announced David Lee Roth would be returning to Van Halen.
To take a snap shot – I'll list the details for January 2007.
Monday to Friday averages are now above 20,000 frontpage hits per day. The beginning of the week starts at around 18,000 and builds to around 21-22,000 by Friday.
In the last week of January, I had a one day record of over 26,000 hits. Fantastic!
For January 2007 I served 190,000 unique visitors equaling 544,000 hits and 2,150,000 pages (average 4 pages per user) and a grand total of 34,538,691 hits.
That all equates to a total of 1110 Gig in data for the month.
No wonder my server costs have doubled in the past 12 months!


THE BIGGEST STORY OF 2006:
I guess I would have to describe 2006 as featuring the very best experiences I have enjoyed whilst running this site and also the very worst. And to show just what a complex world this is, both experiences revolved around the same band - Journey.

When the controversy surrounding vocalist Steve Augeri's alleged use of backing tapes broke, it was on my message board. There has been talk of this issue for some time previous, long before it broke out early in 2006 – but I never wanted my message boards to be the focal point of the controversy.
Over the years I have allowed the boards to be known as a place where free speech is allowed so long as personal attacks are not made.
But, being that this was such an emotive and complex issue, with so many people very passionate about their respective opinions, it was not long before all hell broke loose and I was caught very much in the middle.
I did my best to allow everyone to have their say, but with two clear and defined points of view being so far apart, the board quickly turned into a nightmare to moderate.
Safe to say that I lost a great deal of time out of my year to that board.

I recall getting messages thanking me for allowing the debate to be conducted; messages demanding that I stop the debate and ban those that mention it; messages that I was being too controlling or not controlling enough; messages claiming that I was part of a conspiracy started by the band to oust their singer (seriously!!); messages claming that I was supporting a fraud by not speaking out about it more…and still more....you name it.
The reality was far less exciting. The Journey message board was running rampant and I was left to deal with the mess. That was my role in this - cleaner. Cleaning up the crap left on my board between warring factions of the Journey fanbase.

The whole allegation of tape use was a huge story, except no one was going to go on record about it. Why would they? It was a no win situation.
In the end I made a fairly broad statement outlining the issue on my front page. A lot of people understood where I was coming from. Most did. I was trying to be diplomatic and I tried to force the issue back on the band – pleading for them to make a statement to try and bring the issue and the fanbase to a point where tings could move forward....except I knew they would not comment. They will deal with it somewhere down the line, but I expect it will be done so with as few words as possible.
Like I said, most could see where I was coming from and could understand that I was trying to straddle a very thin fence, without falling over into any particular side.
Yet, still some folks demanded that I take a side. Demanded – not asked. Demanded.
Basically I wasn't ever about to cover what was one of the biggest stories I have covered without anyone from anywhere going on record!

Eight dates in to the 2006 US tour with Def Leppard, singer Steve Augeri left the tour with throat/vocal problems and was replaced by Jeff Scott Soto, who as we all know, was made permanent just before the end of the year.
The events of 2006 are well known and have been covered enough, but the problems among the fan base only intensified.
I was left with a choice to heavily moderate the message board or simply do my best to control it and let people have their say – get it off their chests so to speak. I think that we are now already on the path back though. Things since the announcement of JSS as singer, things have been progressively more peaceful and I expect this year to be a far more sedate affair for online fans.

Back to the band though. The Journey legacy has always been a complex affair as there were two distinct factions to their fanbase. Now we have a third. The division caused by the controversies of the past year will take a long time to heal and I'm not sure some will ever forgive what happened. But I also believe that JSS is the man to help heal the divisions.
But for Journey and for me, a lot of good has come from this year also.
Jeff Scott Soto clearly did a stand up job for the guys when asked to join the tour and as his confidence grew, so did the respect from the crowd and the positive reviews of the tour performances – from both fans and critics alike.
Everyone knows JSS and I are buds…a friendship grew from my early coverage of the singer on my site and eventual hook up to bring him to Australia for a tour and his ongoing involvement with Neal Schon - who I originally gave Jeff's phone numbers to.
I was sad to see Steve Augeri leave Journey – yes, I was sad. Why wouldn't I be? I have supported and championed this band and this line-up since my earliest days online and have interviewed Steve a few times and met him in person once. Tremendously nice guy and someone who I have a lot of respect for. No one wants to see a situation like this go down and no one wants to see fans that have devoted their time and hearts to that line-up, upset and despondent.

At the same time I was rapt to see JSS get his big chance – long over due and just so fantastic to see him playing to bigger audience sizes and in turn to see them responding to his stage persona. I'd be thrilled to see Jeff fronting any major band, so much better that it is a band that were already a personal favourite.
That point brings me to the upside of the Journey year – as you all know the band had me as their guest in LA to cover 2 shows and to do interviews with the guys before one of the shows. To bring everything back and present it as a big feature – the first for the new line-up.
To be in LA with the guys was a huge honor and it was of course great to spend some time hanging out with Jeff again.

I put more work into the Journey feature than any other special artist feature before and I was overwhelmed with the response from most towards it.
It definitely set the bar higher for site features (aside from the annual MelRock Awards I think) and I am hoping that I will get the chance to do something similar again in the not too distant future. I also learnt a few things from doing the feature that I will improve upon next time around.
Sadly the feature was not without its own controversies. Obviously dedicated fans of Steve Augeri were hurt by the contents of the band interviews – there was little reference to Steve and some spent considerable time reading stuff into the interviews that in reality really wasn't there at all.
The feature and the interviews was all about moving forward and that was my focus.
Deen Castronovo was the one hit hardest – something which I still fail to understand. Perhaps the written word can look more emotion free in the absence of a one on one or video interview. The fact is that Deen was a great supporter of Steve and those that attacked him for not being sympathetic enough have quickly forgotten that it was Deen that helped Steve though many tough times.
It was Deen who would fill in high notes when requested, it was Deen who took on a few of the ballads to allow Steve time to rest during the lengthy shows and it was Deen that reluctantly stood out front for Steve, when he clearly couldn't go on during that last US show in June.
The criticism of Deen was unwarranted and I hope people realize that. At the time I interviewed him, he had just lost his step father, who he was very close to and had a very emotional family base on and off the phone to him constantly. To be able to concentrate on anything, let alone give a coherent interview and then hit one out of the park on stage is a credit to him.
No one is asking anyone to forget Steve or the events of 2006, but Deen is not the fall guy.

And for that matter – nor am I. After the positives of the feature had died down, it was time for some of the Augeri fan base to have their say and once again I was caught in the crossfire of an angry mob. I don't hold that against anyone, but was very disappointed at some of the comments that came my way. Again, the product of a divided fan base and a number of people unhappy with how things were dealt with by the band and management.
Time heals all wounds and I hope 2007 brings closure to those upset with the events of 2006. No doubt a Steve Augeri solo record and the unearthed second Tall Stories record will go a considerable way to help.


INTERVIEWS:
What were my favourite interviews of 2006? Obviously the Journey ones were great although completely informal and were meant to supplement the tour coverage rather that be hard hitting pieces on their own right.
I think Sammy Hagar gets the gong as my favourite interview of all. I have been a fan of Sammy for as long as I can remember and have wanted to interview him since starting the site. Sammy was charming and open to what I thought was a good line of questioning and the fact that he let the interview run 20 minutes overtime said a lot. I was very thankful to Sammy for that and hope to do another interview soon.
I think Richie Zito was a close second. A super nice and very wise bloke is Richie and had a lot to offer.
Frankie Sullivan, Richard Black, Toto and Danny Malone all provided good interviews too, so I think overall it was a very good year for interviews.
Not so good was John Waite and Jimi Jamison, both of whom I guess just didn't have a lot to say at the time. I have also done interviews with Yngwie Malmsteen and Sebastian Bach – I'll deliver those interviews soon.
Coming up in 2007 – Lou Gramm, Vince Neil, Jack Blades and Kelly Keagy, Jim Peterik, Loverboy, Dokken, Jorn Lande, Foreigner, Rick Springfield and more….plus another round of Journey perhaps?


MRCD3:
I was very pleased to finally be able to get the MRCD3 CD finished and released. It took 2 years to gather the tracks for this one and thankfully it seems everyone agrees that it was worth the wait and Volume 3 is the best of the 3 compilations to date.
So far I have sold 700-750 units thereabouts….so there is still plenty left and I will start work on thinking about MRCD4 in hopes that it won't take 2 years to get this one done!!


SPECIAL EVENTS:
Taking a look at a couple of other special events of the year, it was my great privilege to be part of the team that brought Toto to Australia for their first concerts in 14 years. I had an awesome weekend in Sydney with the guys, coincidently also spending some time with Foreigner on the Friday night, who blew me away with their energy.
But it was Toto's live set that gets my vote for one of the very best gigs ever. What an amazing band and what a great bunch of guys.
All except Mr. Lukather – he is a bad man, who insisted on me drinking way too many shots of this God awful stuff. Bad bad man – do not let him influence you if you ever get stuck in a bar with him!

I also had a blast in the UK for just a few short days at Firefest 3. Despite doing my back in (which still hurts BTW!), the trip to Firefest 3 was awesome as usual. Every time I go I get to see all the old faces that I have met over the years and even better, I get to meet more new faces and regular site readers.
Always a very positive experience, even if it takes more than 24 bloody hours to get there and the same back again.
The music brings us together, but for the fans gathered it is more like one big family reunion. Nothing better than sharing a hall with 1200 like minded individuals and a sea of classic band t-shirts. Of course, the bands gathered for the day all put in great performances, even if one in particular didn't connect with the crowd.
Can't wait for Firefest 4 – not sure if I can be there as yet – we shall see.


The Year That Was: Behind The Biz In 2006

There isn't much to talk of this year that I haven't already stated in previous years. Piracy still looms as the biggest problem, as does the advance leaking of promotional copies of albums to the Internet and of course - most importantly - the continuing void in real talent being promoted by the major labels and PR outlets.
Both issues are obviously hitting hard as only last week Warner and EMI released profit downgrade warnings to their stock holders and painted a none to pretty picture on where their sales were heading. EMI shares fell a further 12% on hearing the news.
They really have only themselves to blame.
Years of manufacturing musical dog turds instead of fostering real talent is hitting hard. And then there is their own disastrous anti-piracy moves that resulted in more bad PR. Add to this the label's general failure to come to terms with nature of the Internet and what it could do for them; their hard line against moving into a digital era; plus their overall reluctance to reduce the price of CDs, which at this point are at least 30% over priced.
The fact is that the consumer base has grown tired of what these labels have been offering and are voting with their feet. Their money is going on competing entertainment formats like DVD, Video Games, Internet and Cable TV.
The industry needs a radical shift in their fundamental thinking in order to re-excite the public. Good music and quality performers will always attract support. Why do you think the veteran acts of the 70s and 80s are still selling out concert tours each year?
It is time to foster some real talent guys and not cast them off after a debut album that failed to live up to expectations. Artists need at least 3 albums to prove themselves. Not one.

There is no shortage of talent and fantastic music out there, but to those people that just want to turn on the TV or perhaps read just one or two mainstream music magazines are never going to be exposed to it. Smart and passionate music fans go looking for new music and this is where the "evil" Internet can be a blessing for new artists and bands, who don't have to rely on paying their way into the mainstream media.


PLUGGING THE LEAKS - PART 2:
I also have one idea on how to alleviate some of the damage caused by the advance leaking of material to the Internet. Why not release these albums as a legal digital download on the day that promotional CDs are sent to media?
Stick to the planned release date for the physical CD and in store promotions etc...but have the album available digitally at an earlier time to at least give people the option to pay for something rather than download it illegally. Most fans just want the music ASAP and I would suggest that if the paid digital download version of any given album was available at the same time it would normally leak to the Internet, then perhaps such sales would see the artist receive some benefit from the purchasing of that download.
Many I know download the leaked advance and then purchase the CD when it is released. Do both - go digital in advance and provide a discount to those that go this route and also want the CD when released officially.
Your thoughts?


THE MYSPACE OBSESSION:
Is MySpace now a prerequisite for all artists and businesses involved in the entertainment industry? Does everyone have to have a MySpace page? The questions seems absurd, but apparently the answer is yes.
It's kind tiring to type an artist's website location into a browser, only to have that URL redirected to their MySpace page. This conglomerate is rendering official site pages redundant, yet the whole set up is so utterly restrictive and draconian in formatting options. Not to mention if you really want to make the most of it, substantial work is required.
I think bands should still concentrate on having an official site and if anything, use MySpace to drive users back there, where they can have full control over their media and promotion options.
This year one clown decided to impersonate me, a clown I have bumped into before doing something similar. Get a life! Anyway, I'm not alone in this problem, plenty of artists have fan pages on MySpace that claim to be official.
For the record, I have bookmarked a MySpace page for MelodicRock.com - reluctantly, yes, but it is there now. I have barely done anything to the page and don't look for that to change anytime soon, but at least there won't be anyone impersonating me out there! My URL: www.myspace.com/melodicrock.


The Year That Was: The Melodic Music Scene

2006 was a year where the production and sound quality of albums remained in the forefront of everyone's minds. There was sustained debate about this very topic through the year – both via message boards and individual e-mails to me.
It seems that all agree that a number of releases this year were hindered by poor sound quality. Some folks felt that they could look past this issue and enjoy the songs for what they were and others felt more strongly – that certain albums were ruined entirely by a poor mix, poor overall production or poor mastering.
I saw individual cases of both instances, but I must say that after reaching the milestone of running this site for 10 years now, my patience with sub-par production on various releases has dried up.
I'm now far less tolerant with these releases as I used to be and feel that if labels and artists can't get it right now – then they never will.
People need to make a stand against substandard product. Internet downloading and general music piracy is not going to get any better while the market has to suffer poorly produced albums.

I say this while cutting the independent artists out there a little slack. Those guys can get caught in the middle, left without the money needed to record a great sounding album themselves, but also without the support of melodic rock record labels who refuse to give them a decent advance or in some instances – no advance at all!
Let me digress for a moment - yes, we are now in an age of the zero advance record deal. There are artists out there as I type this that have spent every cent of their own money to record an album – not to get rich off, but for the love of the craft, for the art of music – only to find record labels willing enough to sign them to their roster, but without a cent being paid out to them. Not even a $1K good will gesture.
This tells me that the label has little if any faith in the product and is merely filling their quota of releases needed to stay on the radar.
Hell, I've got bugger all money, but maybe even I could run a record label off a zero advance deal. There's a thought. If artists are signing up to this kind of thing, then perhaps I should look seriously at this…

Of course, the zero advance deal is not part of the majority of deals, but it is happening to some. I made the point to highlight some of the challenges artists have in turning great songs into a great album.
In other cases, the artist can be the one that can be held accountable for the failings of an album. They have an advance, they know their way around a studio, and they have great songs. So why should an album sound horrible after all that?
Both labels and artists need to work together to eradicate poor quality releases.

Back to the production issue…this year, more than any other year that I can recall, more albums were (for me) ruined by poor sound.
Some of them feature some very fine songs indeed, which I truly appreciate, but the hard work of those writing the tunes can be destroyed by whoever sits behind that studio desk.
That was the case this year, as there are a few albums that I can't and won't ever listen to again – simply because they sound awful - despite featuring some great songs Why should any fan be robbed of some great songs because your ears hurt trying to enjoy them?!!


THE MELODIC LABELS:
The melodic music scene rolled along this year as it has for the last few years, although the 'melodic' aspect seems to be ever slowly fading away as metal takes an even stronger hold.
There were fewer pure AOR releases this year than any other year I can remember.
One of the biggest CD stores that I am sure everyone knows well is AOR Heaven. Their own in-house label released perhaps only a few melodic rock releases this year – the rest found their way to the Metal Heaven label. No slight on AOR/Metal Heaven. They have good releases, you just have to go where the sales are. They are not alone, as this is a sign of the times.

Speaking of Georg at AOR Heaven - he was one of several people to speak out against these advance promo releases appearing online this year. Everyone continues to struggle with piracy and the leaking of advance copies to torrent sites - almost the day they are shipped to supposed journalists - is a big problem. Again I believe that all the labels need to tighten their promo lists in an attempt to weed out the wrong doers.

Speaking of promo lists – 10 years after forming this site I still find myself unable to get straight answers and replies from a couple of labels in regards to promo copies of albums I need to feature on the site. The majority of labels and artists can appreciate the concept of free publicity, but a few others remain blissfully ignorant. And they wonder why sales don't improve for them…

Of the labels I deal most closely with, I guess it would be easy to see for all that Frontiers Records were the dominant force in the scene.
They have the most artists, the most releases and therefore the most exposure within the scene. In turn, artists look towards signing with them because they know the label has this reputation. Frontiers as one can see by the results of the Album Of The Year, had a strong 12 months. But they were not without their problems, as production quality was expected to be better than it was on several titles (Zion, Vertigo, Avalon, Bob Catley).

I feel that a couple of the other labels that were running closely behind Frontiers have given up the chase.
Take MTM Music for example – the label was neck and neck with Frontiers for many years, but seems to have turned down a different road to their rivals in the last 12-18 months.
Some of their artist signings this year would have to be described as 'experimental' to see if a change in direction works for them. I'd say not – as the best releases from MTM this year were the ones that were from the melodic/AOR genre. Street Talk was a gem, and Zeno and Rain also impressed. But releases like Dacia + The WMD and Beggars Bride were serious contenders for Turkey Of The Year.
I'd like to see MTM be more aggressive in their search for new signings this year as a competitive scene is a healthy scene.

Escape Music had a solid year and of all the labels probably chose to stick within their own established boundaries musically speaking. They served up some good releases and while they also stepped into metal somewhat (Evil Masquerade, Cloven Hoof, Ian Parry), overall they delivered probably the most pure AOR of anyone (Shadowman, Last Autumn's Dream, Newman, Alibi, Final Frontier). The label really does deliver consistent quality and rarely disappoint (if you forgive the Alibi release).

Majestic Rock Records struggled through the year under financed and well behind as far as their release schedule and previous year's efforts. Where they go this year is anyone's guess, but the guys running the show have a positive outlook for the future, which is a very good thing.

Lion Music continued to do what they have always done best and that is deliver guitar based melodic metal, progressive and instrumental releases. They continue to build in strength and diversity. I think the new House Of Shakira will be the label's melodic rock highlight for the year. I do have to laugh though…Lion Music have beyond any doubt, the largest collection of completely unpronounceable artist names on the market!

Rock Candy Records also struggled to keep within a schedule, but delivered some very fine re-issues and a sound quality that has impressed just about everyone. My only gripe - the superb re-issue of John Waite's classic Ignition album was an audio glitch (where you can hear the original maser tape flutter) in the first track, but the original American CD release of this title does not!

Germany's AFM Records goes from strength to strength and these guys are quickly becoming the prime metal label in Europe. Masterplan, Silent Force, The Poodles, Evidence One...lots of good names on their roster. SPV are a bigger label overall, but AFM has the name now and I can see them getting bigger and better.

UK based Angel Milk Records is the new kid on the block, but their efforts in promoting and releasing a classy package for their first band Nexx put them on the map. They now have to follow that up. Several other artists in development will establish them further, but one hopes it will not be too long between releases for the label.

Massacre Records stuck to what they know best and as far as I can see, that isn't going to change this year, with a mostly metal line-up punctuated by the anticipated more melodic Cornerstone album.

Z Records continued to confound its critics and remain in business, but not without creating more controversy along the way. Both of the planned 2007 Z Rock shows were surrounded with BS as on both occasions the planned headlining band pulled out.
In May it was Von Groove that came up with a lame excuse for not attending, but it was Firehouse that pulled no punches with their pull out of the September Z Rock show.
The associated back and forth press releases by both camps didn't result in fans getting what they wanted and further served to keep the aura of bullshit that surrounds Z Records alive.

Where to from here? More of the same from all parties is my best guess, while we all try and figure out where this scene is going, whether it will continue to shrink and whether those portraying their support of the scene will put their money where their mouth is.

One other label related note. I'm not sure if anyone else has picked up on this, but I think this situation sums up one issue this scene has. MTM Music welcomed the respected musician Mat Sinner on board as a A&R guy. That was a good move as far as I can see and the label promptly announced that Mats band Sinner would also be welcomed on board.
But not long after it was announced that Mat's other (bigger)band Primal Fear had signed a deal with Frontiers Records. Then not long again after that, a third project from Mat - Goddess Shiva – was announced as singing with the Metal Heaven label!
I know artists have to hedge their bets and go with the best deal available, but this stood out to me. Signed to and working A&R for one label, then signed to another 2 labels as well.
Of course, this is just one example – there are several more instances of artists spreading themselves across multiple labels in the one territory – Blue Tears, Tommy Denander, Tommy Heart (Fair Warning & Soul Doctor) to name a few.
I don't include those signed to deals in Europe, then other labels for Japan and America, as hardly any of the smaller labels work on worldwide distribution deals these days.
Should artists be loyal to one label, or in reverse, should labels bend over backwards to keep their artist working or signed to them exclusively? Controversial, or just part of the game in this day and age?


The Year That Was: The Music

Aerosmith came up with a new compilation and what – two new songs? Pretty disappointing way to keep old fans hanging around if you ask me. Their most recent releases have been three compilations, one live album and a covers album. That ain't pretty.
But lets not single out Aerosmith here – other bands and labels are doing much the same. Poison are planning a covers album for 2007 after 2 compilations in a row and some re-issues.
Van Halen are about to release their 2nd compilation in a row and 3rd out of the last 4 releases.
Artists need to do whatever it takes to get some new material written and recorded and reward fans for 20 and 30 years worth of loyal devotion.
Somehow I think that labels won't care about this and the trend to repackage the same old shit will only continue to get worse.

Back to Aerosmith, the band had to overcome a few more personal obstacles this year, with both Steven Tyler and Tom Hamilton on the sick list – both needing surgery on their throats coincidently – and both making strong recoveries.

The New Cars started by revving their engines as loudly as possible, except they soon ran out of gas when guitarist Elliot Easton had to undergo shoulder surgery. They got back on the road in November.

Tower Records finally succumbed to industry upheavals – not to mention a bad case of product over-pricing. They used to be the hippest CD store in the world, especially that Sunset Blvd store in LA. But they just couldn't compete with the mass-merchants and sadly, the whole chain is now gone.

More regrettable was the demise of Aaron's on Highland, a mecca of mine for used CDs and assorted bits and pieces. The options for buying used CDs in Hollywood now rest with the over priced and over stocked Amoeba.

Joe Lynn Turner had a very busy year with his acclaimed Sunstorm project, an appearance on the Richie Zito Avalon CD, touring with Cem Koksal's band, a guest spot on Richie Blackmore's last release, his Akira Kajiyama + Joe Lynn Turner CD was released in Europe and then there is the corporate supergroup Big Noize featuring guitarist Carlos Cavazo (Quiet Riot), drummer Vinny Appice (Dio/Black Sabbath), bassist Phil Soussan (Ozzy Osbourne/Billy Idol) and keyboardist Gary Corbett (Cinderella/Lou Gramm).
He also released a Japanese single covering the Backstreet Boys hit The One. I must ask him to hear that! How much can one man rock?!!
2007 looks good for him again, with a guest spot on the Howard Leese album coming up and a new solo record, plus who knows what else!

The Darkness split – not sure how many people might actually have been surprised by that!

Sebastian Bach didn't release his new record as yet in 2006, but still managed to make a lot of noise, touring with Guns N Roses, then actually fronting GNR for one show when Axl took ill. He also came to Australia for a couple of dates, but got all pissy in Sydney when some dickhead threw a bottle of water at him. Bach stormed off stage, much to the anger of fans and the delight of Metal Sludge.

Speaking of Guns N Roses – the usual amount of hype and fuss surrounded Axl Rose's every move, including speculation all year as to whether the mythical Chinese Democracy album would ever appear. I'm still not convinced it will!
I think Axl only got into one fight and was arrested only once on tour too – so that isn't a bad year all round. It looks like 2007 could be the year GNR and Velvet Revolver go head to head – if both albums get released!

Mike Tramp ditched his solo plans and put together a new band line-up under the moniker Tramp's White Lion – playing all the old White Lion classics in the way they were written and looking to record an all new album, which should be an interesting prospect.

Ronnie James Dio made his film debut in the Tenacious D movie before guesting on the new Queensryche record. He then hooked up with his old Sabbath mates for the Heaven & Hell project, set to get underway shortly.

Paul Stanley finally got his solo album out. I'm sure that it didn't sell the amount he would have liked, but the fanbase seemed to take to it with an overall positive reaction. His best move was to pick the house band from Rock Star for his touring band. They are on the road now and through much of the early parts of 2007.

Gene Simmons kept a lower musical profile…it couldn't get much lower after that last solo album of his – but he did redeem himself in an unusual way.
His reality TV Show Family Jewels saw a similar premise to that of The Osbournes, expect his kids were actually very grounded and naturally enjoyable to watch, his long time partner wasn't a controlling bitch and he himself came across as not taking himself too seriously, and overall it was a very funny show (for a reality show at least). Top marks!

Axe put out a surprising press release, announcing they would continue on, but without Bobby Barth. Barth gave the new line-up his blessing, but it won't be the same without the popular guitarist. I still have fond memories of hanging out with him and singer Bob Harris in Munich some years back. Classy gents both of them!

Dennis DeYoung and Roger Hodgson appeared together on Canadian Idol - hawking their latest products of course - but also performing live and offering contestants advice during one performance show. A good watch…

The Billboard Top 200 got a reminder of what good music is when legends Bob Seger and Bob Dylan both scored Top 5 charting albums. Proof that anyone can still do it as long as they have a good album and good publicity behind them. The biggest rock album for the year happened to be from an American Idol finalist – Chris Daughty. Modern rock by the numbers, but still an enjoyable release, coming from a bucket load of PR artists just can't buy normally. So what have we learned here folks? PUBLICITY EQUALS SALES!

Tom Scholz sued Sony to get them to stop the release of the first two Boston albums – successful in his actions for the USA, but the releases still appeared in Europe and Canada.
His intention was to stop what he described as substandard product hitting the shelves, preferring to remaster both albums himself, which were then released finally in the USA to fan acclaim. Meanwhile, Tom and his Boston name have returned to Azoff management after bailing from them a year or so ago. Expect a double bill tour this year.

Glam rockers Tigertailz – both lots – argued back and forth about their naming dispute, but a court would find in favor of the original line-up and awarded them their name back. Rumor has it that LA Guns are facing a similar battle in the coming months.

Bon Jovi headed to Nashville to add to the legacy of 'WTF? Decisions' the band has made in their career. You thought This Left Seems Right was bad....just wait. The new country themed album might be the biggest hurdle fans have been asked to get over yet. I'm not sure they will, but how many country die-hards might jump aboard for this hayride?

Jim Steinman sued Meatloaf over his decision to use Jim's songs to record Bat Out Of Hell 3 with producer Desmond Child. An agreement was later reached, which saw the release of the songs for Meat's use and the door remains open for Jim to use the Bat Of Of Hell songs for his own use in later years.

VH1 launched their debut Rock Honors show – which paid tribute to Kiss, Def Leppard, Judas Priest and Queen to start things off.
The show rated well, and it will be interesting to see where the cable channel choose to pay tribute to in subsequent years. Sadly I still haven't yet seen the show, being that it did not air in Australia and I haven't found a torrent file of it.

That was not all that VH1 served up. There was a 4 part series titled The Story Of Metal and then the Supergroup TV series – which saw Ted Nugent, Scott Ian, Sebastian Bach, Evan Seinfeld and Jason Bonham thrown together in a house in Las Vegas to be filmed while they recorded what was hoped would be an album, but in the end turned out to be just a few original songs that to this day have not been issued anywhere.
Ok, so this had potential and there was the usual selective editing to enhance the characters and conflicts within the house, but at the end of the day when there is no music to show for all the efforts put in – what is the point??

Jack Blades spent most of the year recording the new Night Ranger album and finishing off the Shaw/Blades covers album and then did something else a little different – he starred in a stage show!
Rock Of Ages was a LA show that featured a stack of classic melodic hard rock songs form the 80s and saw people like Jack, Tommy Shaw and Neal Schon check it out.
Jack was so impressed with the show – and their use of Night Ranger songs – that he joined in for a limited run.

Def Leppard got their covers album out finally. It sold pretty respectfully in the USA and garnered some strong air play figures.
But elsewhere – Europe and Australia – the album barely made a ripple and in the UK the band scored the worst debut of their career.
Def Leppard were caught in the power play by retailers like WalMart and Best Buy. These mass merchants all demand something special from artists to guarantee their commitment to stocking and promoting the title.
John Mellencamp's new album is available in 7 different configurations. Sorry – that is just BS. The artists are being forced into this and it only is going to encourage more piracy as fans go after the tracks they are missing rather than fork out more cash for something they already own. Labels are desperate for sales and support from retailers, but at what expense to those purchasing these albums?
Back to Leppard – the guys begin work on their new studio album now…it will be interesting to see what direction they chose to go in and what the results will be. And no, I don't expect a copy to be leaked to me this time around!


THE ASS FILE:
As is the case in any given year, there was a queue of rockers lining up to make asses out of themselves. This year saw many of the same old faces at it again, certainly doing their reputation for being asses no harm at all!
Who do I refer to? Well, Vince Neil certainly made a major ass of himself when he was so drunk in Tampa, that he fell off the stage and could not complete the concert. Probably a good thing actually…John Corabi was standing backstage watching and become a hero to the assembled punters by filling in for the rest of the show.

Jani Lane spent most of the entire year embarrassing himself by missing tour dates, interviews (at least 4 dates with me) and public appearances, all the while passing off his problems as various moments of ill-health.

Bret Michaels made headlines when he and bassist Bobby Dahl got into a fight on stage at an Atlanta gig mid-year. Bret threw his mike at Bobby, who retaliated by swinging his bass at Bret, injuring his leg.
The guys later kissed and made up, planning a covers album for release this year.

Queensryche launched the most sensationalist headline of the year by stating the band were arrested in Europe, when all that happened was that one of the road crew was detained at customs for carrying one of the band's replica stage prop weapons through the airport.
So, no, the whole band were not arrested, but what was even stranger was that this headline was never retracted or updated on the band's website!

Henry Lee Summer, who in recent years couldn't get himself arrested as far as reviving public interest in him found him self done for DUI, crashing into cars and then resisting arrest. I hope Henry gets through this as I'm a huge fan of his music and his more recent releases.

Speaking of dealings with police – the Gioeli Brothers found themselves on the wrong end of a TV station expose on dodgy consumer dealings regarding a tooth whitening product.
Many complaints came to light about the brother's company confusing people with complicated payment clauses and fine print, not to mention more complaints that the product didn't work at all, saw consumer affairs departments investigating and taking action against the pair.
Johnny sent me a note explaining it away as just something his warehouse fulfillment company was shipping out on behalf of the actual product owners. Some believed that, many don't and the guys are continuing to feel the heat from their business dealings.

ROCK STAR:
The TV show Rock Star continued on in 2006, with show producers unable to get a current vocalist-free band to commit to their concept. Instead at the last minute a band had to be cobbled together and it was Mr Reality Tommy Lee fronting the charge. I have already covered this extensively, so not too much recapping here.
Joining him as you all know by now was Gilby Clarke and Jason Newstead. Producer Butch Walker appeared on one show before vanishing for the rest of the series, embarrassed at the results of what went to air.
The rest of the guys should have taken his lead…even though Newstead later managed to come up with an arm injury to avoid touring.
The original Inxs series had its problems, but nothing that came close to this series.
80% of the vocalists chosen were horrible and the show didn't get going until there was maybe only 5 or 6 of the original 15 left. I know of three singers featured on this site that auditioned, so you know the producers weren't looking for true talent.
The songs were all repetitive of last year; there was little chemistry between the principles of the show; Tommy Lee seldom commented on any of the music, preferring to ogle the female performers; Dave Navarro was even more annoying than last year and the winning vocalist was known from the start – ring-in Lukas Rossi before the show went to air.
A 2007 series is proposed, but boy, do they need some changes to make it in any way a winner.

There is no future for Rock Star Supernova the band at all. While Lukas recently chatted to a mate of mine after a show about the band's planned second album, Gilby Clarke lamented to the same person about the band's demise once the tour was done. Classic!
Even 2006 band Inxs have been dropped by their label Sony in North America for under performing sales wise. Who will be the 2007 band featured? Let those Rock Star Van Halen rumors start again! (No, I'm not serious…)

I have covered Journey already, but former singer Steve Perry did a good job of keeping his name in the press while remaining in retirement.
Last year he turned up in the studio with David Pack. This year it was indie rocker Guff, who took him up on the offer to help produce a cover version of the Journey track I Can See It In Your Eyes, where Steve also chimes in on backing vocals. Cool track for what it was.
And then of course there was the Journey re-issues and bonus tracks and 2 interviews that as per usual, gave away little about the state of his voice and what might come next for the singer.


THE DAYS OF OUR VAN HALENS:
No summary of any year would be complete without the summarization of the soap opera that is Van Halen.
For a band that does bugger all most of the time, there sure is some shit to talk about.
Let's see….I guess the biggest kafuffle for the year was (as it normally is) the antics of one Eddie Van Halen.
With no sign (at the time) of VH doing anything anytime soon, Eddie stepped out on the red carpet at Elton John's Oscar Party, only to have his mugshot plastered across the globe as a poster for “what not to do with your life if you want to end up looking like this…”.
It was a bit unfair on old Ed, who definitely looked old, but one can ask the question why he stepped out looking a little 'underdone' in the first place.
Eddie would next be seen supplying 2 new instrumental tunes and a video clip for a porno film. Yes, it did get more bizarre. The launch party for the soundtrack sounded like one hell of an affair.
Then there was the House Of Flowers gig – no, that isn't a typo – were' talking House Of Flowers, not House Of Blues. The Hollywood eatery hosted Eddie and a few friends just jamming and enjoying themselves.
Eddie would later been seen jumping on stage with brother Alex to jam with Kenny Chesney – something Sammy Hagar would normally be doing.

David Lee Roth made headlines by joining a tribute to himself. Strumming With The Devil was to be a bluegrass tribute to early Van Halen, but Dave joined in for two tracks, taking the guys onto TV for a very camp performance on The Late Show's (Jay Leno & Craig Ferguson) – leaving some fans scratching their heads and others laughing on the floor.
It's actually pretty cool, but I'm not sure the TV performances won anyone over – in one instance (for a CMT special I believe), Dave's monologue intro both of the two songs he performs on was actually longer than the song itself.

David Lee Roth's stint on radio failed to see his charisma translated to ratings and he was ditched by his employer within months. But – a happy ending for Dave and long suffering Van Halen fans when in October it was announced here that the guys would team up again for a 2007 tour.
That as it turns out isn't quite as joyous as it should be, with estranged bassist Michael Anthony left out of the 'reunion'.
I guess Ed's still pissed after Mikey left nothing up in the air with his revealing, honest and down to earth interview in Burrn Magazine Japan – some of which was translated and posted right here.

And let's not forget that some rich tosser wants to send the voices of David Lee Roth and Sammy Hagar into space as part of his Signal to Space Concert in 2007. What could possibly come next???


DVDs OF 2006:
Several very good DVDs released this year, and a few not so good.
Of those that disappointed the most was the "live" TNT release, which really wasn't that live at all, with lead vocals enhanced and backing vocals and assorted other bits added after the fact. I just can't sit there and watch that sort of thing and turn off the parts that aren't live. I want 100% live, raw and in your face DVDs, mistakes and all thank you.
Whitesnake released their live DVD to widespread fan acclaim, but again…there are a few parts that have been fixed and again that (for me) took away a little the enjoyment.

Rick Springfield's Rockford DVD was a nice treat for long time fans to enjoy.
Metal Mania Stripped Across America was pretty decent – at least that was 100% live.

Pride Of Lions Live was good also, except I still find frontman Toby a little wooden to watch. He has the chops, he just needs to take control of that stage.

I debated the merits of the Royal Hunt live DVD with singer John West, apologizing to him for comments misinterpreted as suggesting he wasn't singing live. Rather, I thought the DVD had been touched up in the studio, but it all came down to synchronization errors during the mastering process. Those errors still took some enjoyment away from the DVD for me.

Steelheart released a 2DVD retrospective, with some nice archive footage for long time fans. Yngwie Malmsteen also dipped into the vaults for a DVD that included live sets featuring Jeff Scott Soto and Joe Lynn Turner.
Kamelot, Stephen Pearcy, Europe, Free, Stryper, Dream Theater all released live DVDs, both new and archive footage.
Styx teamed up with the Children's Youth Orchestra for their latest live release – I'm yet to see the DVD as I was only serviced with the CD version, which I found rather predictable. I'm assured that the DVD is a far better watch.

The Cars, Gowan, Glass Tiger and Bruce Dickinson all dived into the past for archive footage releases.

And of course, the big one for Kiss fans - Kissology, the very impressive collection of classic archive footage that will see a sequel due in 2007.

Plenty more DVDs to come this year – Y&T, Bret Michaels, Nexx, Bonfire, Wig Wam, Baltimoore, The Raspberries, Joe Lynn Turner Project, Heaven & Earth, Giant and Vixen just to name a few.


2006 MUSICAL CHAIRS or IN THROUGH THE OUT DOOR:
Jorn Lande left Masterplan to the disappointment of many; Chuck Wright left Saints Of The Underground and House Of Lords, or more to the point in the case of the latter - James Christian went on without him and the rest of the original guys. But it wasn't all bad for Chuck, he joined back up with Quiet Riot (again).

Tony Harnell parted ways with TNT, which ended a 20+ year legacy; Jimi Jamison quit Survivor (before he was pushed) to be replaced with Frankie Sullivan's old mate Robin McAuley; Asia quit themselves and reformed as the original line-up, leaving current singer John Payne to form GPS.

Dennis DeYoung hooked up with his old band mate Glen Burtnik, who had just finished his run with that old band of Dennis'.
Robby Steinhardt was replaced with David Ragsdale in Kansas as tensions there reached boiling point.
Jizzy Pearl left Ratt after the band finally got into gear for a reunion in 2007.

Jochen Mayer and singer Carsten Schulz left Domain to be replaced by Chity Somapala on vocals and Steven Wussow on bass.
Irish vocalist Keith Semple joined US pop rockers 7th Heaven and Kevin Chalfant joined Shooting Star.

Andy Taylor got wind of Duran Duran's new album plans and bailed, replaced on tour by well-known (!) guitar-tech Dom Brown!

Michael Schenker left this planet and hasn't given any word of when to expect his return.

Extreme reformed for some Japanese and US shows – all went well from all reports, but no word as to whether this will continue in 2007.

ZZ Top split with their long time management and record label, while Def Leppard split with their career long management team at Q Prime.

Oz rock legends Dragon reformed, but obviously without their legendary frontman Marc Hunter (RIP). Pop star come vocal coach Mark Williams took up that role, but public reaction has been lukewarm at best.

Triumph and estranged frontman Rik Emmett ended their legal dispute which has gone on for years, giving fans some faint hope of seeing them tour and record again. Not so say the trio, but anything is possible once they hook up for the Canadian Hall Of Fame ceremony in March.

Steve Brown (Trixter/Throwan Rocks/40ft Ringo) went an entire year without changing his band name! Stereo Fallout will hopefully release their debut this year.
Rhapsody changed their name - to avoid a copyright battle, but why now after half a dozen albums from the band? Bizarre. They are now Rhapsody Of Fire.
Made for TV rockers Supernova were taken on by a band of the same name, also from California and to the surprise of all involved, lost out to the original band, becoming Rock Star Supernova thereafter.


The Year That Was: Disappointments

Both 2004 and 2005 served up a number of disappointments and 2006 was no different. Average songs, poor production, lack of killer choruses and artists changing style despite the expectations of their fanbase for a more classic sound, were all issues to do with albums that disappointed in 2006.
Again, I call to those with the ability to change these problems to do just that - LISTEN to your fans and take whatever time needed to ensure you deliver a classic and memorable album that will please the majority, not the minority.

DISAPPOINTMENTS OF 2006:
Yes, I am more picky now than ever and that is only going to get worse, as I believe that artists and labels should know better by now. Achieving a great production sound isn't easy, but it is possible. There are plenty of great sounding releases out there that weren't made for a lot of money.
I think the excuses for a shitty sounding record are no longer valid. And artists with poor song selections should also be aware that they will be held accountable. If this scene and this genre is to survive, now is the time to demand only the best. Take a look at House Of Lords, Toto, Wig Wam, Harem Scarem....that's what is possible and those are the standards which others will be held to.

Survivor is one of the biggest bands of this genre. Their records should be the blueprint for AOR perfection. Their long awaited Reach album was not. It had it's moments and was an ok record all in all, but just ok is not acceptable for a killer band like Survivor. I expect better with the next album, but with Robin McAuley singing, will the fan base accept yet another line-up change?

Tom Cochrane should also know better. I guess the songwriting was ok, as someone of Tom's caliber doesn't write bad songs, but boy...was the album slow. He forgot how to rock, which really surprised me and from what I heard from e-mails, I was not alone in my disappointment.
The Goo Goo Dolls also forgot how to rock and virtually abandoned anything remotely tying them to their roots. Gone was the angst, gone was the urgency and in their place was the vibe of a band that had grown old and comfortable with life - the very mellow and rather boring album was everything the Goo's weren't at their peak.

Zion has been mentioned before as a major disappointment. But it wasn't just the crappy sound quality - the songs themselves were nothing to get overly exited about. A few gems, but nothing that came close to the best Mr. Curci can offer.
Cosmo was another one that challenged traditional melodic rock listeners with an updated sound, but I felt there was not enough killer songs overall.
Skid Row was one of the year's biggest disasters. They have now completely lost the plot and I really haven't seen any fabulous reviews claimed by the band. The fan feedback has been pretty much unanimous. Horrible.

Wetton/Downes' live efforts should be scrapped as they disappointed on two different occasions in the one year. The new studio album made up for this in some way.

Re-recording past hits is always a risky move and is almost impossible to please everyone, but Ten's effort didn't please too many at all. Horrible production quality and a drum machine did not do their original classics any justice. These guys at least made amends somewhat with a stronger new studio album.
Warrant also delivered an album that failed to live up to their heritage. It saw some fans happy, but many not so and if they want to continue with the current line-up, then a stronger effort is required as far as songwriting.

Bob Catley had a killer album on his hands, with a nice mix of melodic moody metal and passionate Magnum-esque epics - but it was totally ruined by a shithouse production from Vince O'Regan - the same producer also responsible for the tinny, crap production effort for his own band Alibi and their debut album. Another set of really promising songs there, sadly yet again butchered to the point of being unlistenable.
I really hate ragging on anybody, but Vince did not have a good year in 2006, as the debut Eden album also suffered from his production skills and the new Lost Weekend, while yet again featuring some really good songs, features that same tinny guitar/drum/keyboard sound.
That's 4 albums in one year that were affected by one person's negative influence. On a more positive note, Vince is a great guitarist - no question about that.

Bang Tango's 2006 album would not have been released 10 years ago, so why should it be now? I really like this band and hope for something a little better next time around.
Gregg Fulkerson wrote some good songs for Blue Tears, but the production again let the whole effort down. The drum sound was horrible and the mix wasn't that good either. I fear that this will be the last we hear from Blue Tears for some time, if not ever.
Joseph Williams recorded his sappy ballad covers album a few years ago, but only released it this year. One for the die-hards only I'm afraid. I include myself as a die hard Williams fan - I have everything - but I still couldn't get into this release. And Joseph's new Vertigo album also disappointed. Some fantastic songs were featured, but a very rough production and some very unpolished vocals saw some put off the release, therefore placing any chance of Vertigo 3 in jeopardy.

Metal singer Michael Kiske pulled the plug and went acoustic and his solo album was a far from what he is best known for as one can get. I have no problem with the musical style, but the songs and the tempo of the album were just far too slow. Negative feedback prompted Michael into a debate with one site about the merits of the album and the merits of any critical feedback. From what I gather, Michael will continue to do whatever he pleases with his next album due this year. Place Vendome 2 will be the one that I anticipate!

The return of Guild Of Ages under their new (third) moniker Relapsed was anticipated, but soon led to disappointment with another average production affair and a few filler tracks on the album. I doubt they will be back for more also, which is a real shame.


The Year That Was: Re-Issues

Not the most amazing year for re-issues all things considered, but still a few very worthy titles out there with some cool bonus features.
The highest profile re-issues of the year were the new Journey releases, although one must question the need for them in this time and place. The extras were ok and the booklet's rather good. But they were not new masters and that digipack packaging is something a lot of collectors resent.
While at it, Steve Perry re-did his own solo releases and I found those to be more fulfilling and a better all-round package.

Tom Scholtz re-did the first 2 Boston albums to much fan acclaim, but make sure you get the US masters, as the Canadian and possibly European releases were from Sony's own remastering, not the US release hand crafted by Schultz.

SongBMG did 2 very nice 25th Anniversary re-issues of two albums begging for the full tilt remaster and repackage treatment. Rick Springfield's Working Class Dog featured liners from Rick himself in another example of his always hands on approach to his music (where possible). It was so cool to hear this classic album in the glorious quality it deserves. Still a masterpiece of melodic pop rock.
The other album was Loverboy's Get Lucky, with amazing liner notes written by some Australian journalist. Well worth a look if you ask me ;)
Jokes aside....another classic album with some cool bonus tracks dug up by the band themselves and the album sounds revitalized with the new master.

MTM Classix didn't release much this year - DaVinci and AOR being the two main titles.

Majestic Rock struggled with whatever they were going through, but still came up with much appreciated re-issues of the Strangeways catalogue, plus a number of titles from NWOBHM band Elixir, plus re-issues from Tobruk and Tytan.

Escape Music had a very lean year considering some of the re-issues dished up in past years, but still delivered another very classy all-in-one-digipack release gathering the Phenomena releases.

Rock Candy's highlights included the classic Hughes/Thrall, Preview and Diving For Pearls re-issues plus, Loud And Clear, Storm, Coney Hatch Outa Hand and John Waite Ignition.


The Year That Was: Rest In Peace

Adam Randall (Sixty-10), Sandy West (Runaways), King Crimson / Bad Company bassist Boz Burrell, Clyde Holly (Biloxi), Bruce Gary (The Knack), Syd Barrett (Pink Floyd), Elis vocalist Sabine Dünser, Richard Wright (White Sister, Tattoo Rodeo, Fast Machine), fitness guru / rocker / writer Don Lemmon, Vince Welnick (The Grateful Dead), Gary Basile - Night Ranger and Prince tour manager, Pete Wells (Rose Tattoo), Saraya keyboard player Gregg Munier, Rod Morgenstein's wife Michelle.
And on a non-musical and local note - two Aussie legends in Steve Irwin (The Croc Hunter) and motor sport ace Peter Brock.

If there is anyone that I have missed, please forgive the omission. R.I.P. to all these souls and to anyone else out there that has lost loved ones this year just passed.



Ok, time to look back and embarrass myself with the results from what 2005 predictions I trumpeted at the start of the year. Did any actually come true, or did I bomb out on all counts? Let's see....

Predicted in yellow. Reality in black.

One of Britain's most beloved AOR acts will return finally!
No, didn't happen, but it has now. Welcome back FM.

Skid Row will finally reform, but for how long?
Again, didn't happen - but it was proposed...a tour of Japan for big money was offered to the band, but no one bit.

There will be no new Van Halen activity, but could a box set finally appear? I'll side with perhaps not.
Perhaps not indeed. But there was some activity towards the end of the year for a tour this year...so half points on this one?

Def Leppard and another popular AOR act will team up for what could be an eventful US summer tour.
Yes - as they did with Journey. And what a tour too!

Journey in Europe? I still think a full European tour will not happen. A few select dates perhaps?
Yes - and they're going back for more this year.

Possible break ups - Brides Of Destruction, Korn (we can only hope), Ratt, Queen + Paul Rodgers, Warrant, The Darkness.
BOD - yes; Korn - who cares anymore anyway; Ratt - yes (this line-up at least); Queen - no (quite the opposite); Warrant - no; The Darkness - yes.
More right than wrong there, so not bad guessing I think!

Possible re-unions - Winger, Rainbow, Little Angels, White Sister, Damn Yankees, Genesis.
Winger - yes (I really had no idea!); Genesis - yes; the rest no...

There will be no new studio album from Foreigner. Perhaps in 2007...
Yes - and the album is due this year.

Sanctuary Records will down-scale or file for bankruptcy protection.
They sure have scaled down and have had financial issues, but no protection as yet...and hopefully it won't come to that.

A new Toto compilation will be released from SonyBMG.
NO!! Who would have thought we'd get through the year without a new compilation in stores! Amazing...

A new Anthology style compilation on Journey could see the light of day.
No - not so and nothing on the horizon, but they did do those re-issues.

No new Steve Perry solo record.
Correct!

Toto in Australia?
Yes indeed. Man, what a show.

Rumors of a Triumph re-union will again prove false. Would be nice though, don't you think?
Well, kinda...but the guys have buried the hatchet (and not in each other's backs) for the Canadian Hall Of Fame. So good one guys!

There will be no second season of Rock Star!
No, there was, but I personally wish there wasn't.

A very popular lead singer might find himself out in the cold…
Yes! This wasn't aimed at anyone, but you know this business....always some deal going on. This year Jimi Jamison was ousted (again) from Survivor and Steve Augeri also left Journey.

Whitesnake will head into the studio for a new record, but it won't get completed in time for release this year.
Yes! But they did get 4 tracks done for inclusion on the band's live album. Half points perhaps?


The Year That Was: Predicted Biggest Titles

MELODIC/HARD ROCK:
Albums that didn't make it out: AC/DC, Dio, M.ill.ion, Hodson, Man-Raze, Motley Crue, Ozzy Osbourne, Sebastian Bach, Tom Keifer, Dokken, Street Legal, Montrose.
Predicted Best Melodic/Hard Rock Releases for 2006: Axel Rudi Pell, Doro, Europe, Glenn Hughes, Moonstone Project, Paul Stanley, Shark Island, Skid Row, Talisman, Fate Sammy Hagar, Liberty & Justice, Pump.

Accurately predicted: Axel Rudi Pell, Europe, Glenn Hughes, Paul Stanley, Shark Island, Talisman, Sammy Hagar.


AOR:
Albums that didn't make it out: CJ Snare, Brian Howe, Asia, REO Speedwagon, Airtime, China Blue, Eclipse, Firehouse, Frederiksen/Denander, Hardline, James Christian, Kelly Keagy, Kip Winger, Mecca, Mike Tramp, Night Ranger, Norway, Shaw Blades, Snakes In Paradise, Stan Bush, Tesla, Vertigo.
Predicted Best AOR Releases for 2006: Blue Tears, Shadowman, Wig Wam, Survivor, Cosmo, Final Frontier, Harem Scarem, House Of Lords, Nexx, Ted Poley, Richie Zito, Relapsed, Stan Bush, Street Talk, Vertigo, Zion, Toto, Jim Peterik.

Accurately predicted: Shadowman, Wig Wam, Final Frontier, Harem Scarem, House Of Lords, Nexx, Ted Poley, Street Talk, Toto & Jim Peterik.


HEAVY / METAL / PROGRESSIVE:
Albums that didn't make it out: Halford, Megadeth, Metallica.
Predicted Best Metal Releases for 2006: Altaria, Satyrian, Blind Guardian, Black Label Society, Iron Maiden, Planet Alliance, Seven Witches, Vicious Rumors, Andersen Laine Readman, Jorn.

Accurately predicted: Altaria, Satyrian, Black Label Society, Iron Maiden, Seven Witches, Andersen Laine Readman, Jorn.


MODERN ROCK / MAINSTREAM / MAJOR LABEL COMMERCIAL:
Albums that didn't make it out: Simple Plan, Mitch Allen, Silverchair, Avril Lavigne, Guns N Roses, Velvet Revolver, Neve.
Highest profile albums due for 2006: Evanescence, Live, Train, Soul Asylum, Goo Goo Dolls, Live, Pearl Jam, Hoobastank, Butch Walker.


POP / POP ROCK / WESTCOAST:
Highest profile albums due for 2006: Bob Seger, Chicago, Meatloaf.


Last year when looking towards the 2005 year, I made predictions for the best releases of the year. I listed my predicted Top 10 for 05 and got 5 out of 10. Last year I did the same again looking ahead to 2006. If I take out the CDs that didn't get released...these are the titles I suggested would be my Top 10 for 2006:
Talisman, Toto, Harem Scarem, Shark Island, Ted Poley, Europe

Wow, I couldn't even get 10 titles out of the list as 8 of my predicted best releases weren't released during the year! I'll have to work harder with this year's predictions in working out what is going to be released and what isn't! So of the 6 remaining releases only 3 made the Top 10. The others were still very good, just not Top 10! Again, I'll have to think this through a bit harder this year.


So what was predicted to not be released in 2006?
Firehouse, Mecca, Burning Rain, Bob Seger, The Hooters, Guns N Roses, Meatloaf, TMG, Motley Crue, Ozzy Osbourne, Richie Sambora, Metallica, Montrose, The Ladder, Von Groove, Rush, Asia.


Almost a perfect score...all titles remained in development aside from Meatloaf & Bob Seger, who managed to get their CDs done and out there. But, there were a lot of other titles I didn't list here that also failed to appear. All in all, it was a pretty lean year considering what could have been released. 2007 looks more promising.



VOCALIST OF THE YEAR:
Pekka Ansio Heino (Brother Firetribe & Leverage)
What other frontman delivered two killer debut albums in the same year - one a very special melodic hard rock album and the other a powerful more metal orientated release? Both Brother Firetribe and Leverage captured the imaginations of fans and it was the vocals of Pekka that made these albums ever more appealing. Nothing short of fantastic vocals and melodic at every turn - be it rocking thru a fell good anthem, slowing things down for a heartfelt ballad, or kicking into high gear for a melodic metal masterpiece. Looking forward to more to come from this great Finnish singer.

Honorable Mentions - Jeff Scott Soto has to get a nod for his stunning live work with Journey this year and what I consider to be the best Talisman album ever. James Christian sounded a million dollars on the new House Of Lords and Goran Edman also sounded amazing on the new Street Talk record.
And it would be remiss of me not to mention Joe Lynn Turner again, who continues to defy logic and get better with age.

Past Winners: 2005 - Jorn Lande; 2004 - Jeff Scott Soto; 2003 - Harry Hess.


GUITARIST OF THE YEAR:
Steve Lukather (Toto)
Toto may have 3 or 4 vocalists, but they only have one guitarist and Luke was the cornerstone of an amazing release by the veteran band. Heavier than ever in places, more soulful than ever elsewhere. The guitar work on Toto's album was second to none and then he spent the rest of the year on tour, delivering knockout performances the whole time. The man is a true guitar hero.

Honorable Mentions - Jimi Bell for his important and impressive efforts on the House Of Lords album; Mike Slamer for his passionate and intricate work on his Slamer record.

Past Winners: 2005 - Magnus Karlsson


PRODUCER OF THE YEAR:
Harry Hess & Pete Lesperance (Harem Scarem)
The dynamic duo had a great production year in 2006. They never ever disappoint and this year handled production duties for two Canadian Idol finalists (two superb sounding modern rock releases from Suzi Rawn and Aaron Walpole) and topped it off with the end of year release of the amazing new Harem Scarem album. Pete Lesperance was also responsible for his own Fair Ground album in 2006.

Just a side note in relation to producers - The age of the record producer is over. There were some amazing production efforts on various records this year (Toto, House Of Lords, Slamer, Wig Wam to name a few)...but most of these efforts were all in-house. Most bands these days produce their own albums in their own studios. It has left the role of producer for hire somewhat redundant - and I don't think that is an altogether good thing at all!
But - the costs of bringing in outside help simply outweigh the budgets available to record many of these albums, which is why we are left with a suspect sound quality on occasions.
Looking through this year's albums the only person that received multiple production credits (besides Harry & Pete) was someone that I would rather award a Worst Producer Of The Year title!

Honorable mentions - Mike Slamer for Slamer; Fredrik Bergh for Street Talk; Desmond Child for Bat Out Of Hell 3.

Past Winners: 2005 - Dennis Ward; 2004 - Fabrizio V.Zee Grossi; 2003 - Tommy Denander.


DRUMMER OF THE YEAR:
Simon Phillips (Toto)
Much as the compliments flowed for Steve Lukather both for his studio and like work with Toto - same goes for Simon. The Toto album had more groove and percussion than at any other record since Simon joined the and watching him live was inspiring.

Past Winner: 2005 - Daniel Flores.


BASSIST OF THE YEAR:
Marcel Jacob (Talisman)
Awarded for some truly superb funk and bass slapping grooves on the Talisman album. He is an underrated talent and the album was made even more special by the fact Marcel also supplied much of the guitar work.



The Welcome Back Award: *TIE* - FM, Starcastle, American Angel, The Police, Van Halen, Ratt, Lillian Axe.

The 'Just Release The Bloody Thing Already' Award: - Guns N Roses, Lec Zorn, Black N Blue, Hardline - Same old faces sadly....shit or get off the pot folks!
Previous Winners: Guns N Roses, Lec Zorn, Black N Blue, Nelson, Hardline, Paul Stanley, Teer, Zion.

The 'Guns N Roses' Most Changes To The Scheduled Release Date Award: Guns N Roses - Taking out their own award (again). Too easy, too obvious!
Previous Winners: Def Leppard, Cheap Trick & Black N Blue

The 'Holy Rotating Lead Singers Batman' Award: Survivor and Van Halen - One band is moving forward, the other going back. Both need to make up their minds and stick with it!

The 'Gene Simmons' I'll Flog Anything Award: George Lynch - is now taking enrollments for his Guitar Dojo course! WTF is Guitar Dojo? In Lynch's own words "Inside the Dojo, Sensei George Lynch provides a gripping collection of never before seen instruction as serious guitar disciples are taught and trained through exclusive video, tab etc etc...and one on one dialogue with the Sensei." Right-o then!
Previous Winner: Gene Simmons.

The 'Best Interview Of 2006' Award: Sammy Hagar - A good natured and friendly interview and answers to all my questions. If you haven't read it yet - do it!
Previous Winners: Marcie Free, Steve Lukather.

The 'Somebody Get Me A Spin Doctor' Award For Best Piece Of Self-Serving PR: Queensryche - Sensational headline - the band were arrested while going through customs in Europe! No, one of the stage crew gave himself up to police for carrying a prop gun into the airport. Bit of a difference there guys!
Previous Winners: Sebastian Bach, Van Halen, Fred Durst

The 'Vince Neil' Best Drunk On-Stage Antics Award: Vince Neil - Can you believe he is back for more?!! When will it end? This time he was so drunk at a solo show, he fell off stage and was replaced by John Corabi. Yes, replaced as vocalist at your own solo show. How embarrassing! Vince's retort in a following interview? "Whoopie-doo!" Pure class, eh?
Previous Winners: Jani Lane, Jani Lane, Vince Neil and Sebastian Bach.

The 'Frankie Sullivan' Lawsuits-Are-Us Award: Meatloaf / Jim Steinman - Old friends go head to head, but then work it out behind close doors anyway. Very gentlemanly of the pair.
Previous Winners: The World Vs SonyBMG, Frankie Sullivan.

The Honesty In Interviews Award: Eddie Money - On David Lee Roth or Sammy Hagar? "David Lee Roth. You know, he's had a lot of troubles and an ego bigger than a [expletive] house. I also feel sorry for the guy. Maybe I like David Lee Roth because he reminds me of myself."
Previous Winner: Jamie St. James.

The 'Manowar' Worst Band Promo Picture Award: Jaded - Fine band, not the best pic I have ever seen!


The Best Back Flip Without Actually Stating A Reason Award: Sebastian Bach - Initially refusing to do any website interviews to promote his Australian tour, the singer relented when convinced that there is bugger all print media in this country that is still interested in him.

The Most Insane Website Rant Award: Michael Schenker - No contest really - the guy needs to check himself in and get well.

The I Used To Be A Rockstar But Now I'm Peddling Porn Award: Eddie Van Halen - When he wasn't jamming at the House Of Flowers, Eddie was hosting porn parties and supplying 2 new instrumentals for friend and adult movie director Michael Nimm.

The 'Henry Lee Summer' I Wish I Had A Girl Lawyer Award: Henry Lee Summer - Henry takes out his own award for this, it's first appearance...this awards goes to Henry for his DUI arrest, smashing into some cars and then resisting arrest.

The 'Life's A Bitch' Buy Our Records But Not Our Teeth Whitening Products Award: The Gioeli Brothers - Who continue to be roasted and investigated in regards to their free-trial consumer goods fulfillment company. The brothers were last seen fending off cameras from a TV station's consumer investigation. Just search 'White OverNite' and you'll see it only gets worse.

The 'This Bud's For You' Dave Bickler Award: Terry Ilous - busy recording vocals for Wrigley's DoubleMint chewing gum in 2006.

Most Likely To Find Themselves On The Country Music Channel in 2006: Bon Jovi - One great rock record and then it's over to country?? WTF?
Previous Winner: John Waite.

The Best Website Award: MiniNova (www.mininova.com) - just one of the many torrent sites out there - something which continues to cause debate in regards to album and music available to pirate - but I love the TV show downloads!

The Most Likely To Release A Live Album or DVD in 2007 Award: Shaw/Blades, Masterplan, Wig Wam, Toto, John Waite, REO Speedwagon, The Police, The Who - more random guesses!
Those nominated last year - Toto, Inxs, Bryan Adams, Queensryche, Eddie Money, Dokken, Tesla, Metallica, Masterplan - none of which actually released either a CD or a DVD. Good effort (not) I think!!

The 30 Minutes Short Awards For Least Amount Of Music On A CD: Demon Angels and Bang Tango for their minimilst efforts.

The 'GWAR Make It Stop Award' For The Most Unnecessary CD: Billy Idol - What was he smoking when he concluded that fans would enjoy hearing him sing Frank Sinatra style on a Christmas CD??

Hit Me Baby One More Time Award: Poison's Bobby Dahl for socking it to Bret Michaels in the leg with his bass. Nice!

The Open Letter To Fans Who Could Care Less Award: Guns N Roses frontman Axl Rose and former manager Merck Mercuriadis for trading off with individual open letters to fans. Guys, we could care less. Just release that bloody record.



ALREADY REVIEWED OR ADVANCE COPIES RECEIVED:
Masterplan have stuck to the script for their new release, picking up where they left off, with the obvious c